Editing is where raw footage becomes something worth watching. It’s the stage where pacing, structure, and tone get locked in, and where the difference between a good production and a forgettable one usually gets decided.

John Oliva cuts in Adobe Premiere Pro. Dave Gau works in After Effects, Maya, and Cinema 4D for motion graphics, visual effects, and 3D work. When both are involved, editorial and motion work happen in the same conversation, not handed off between vendors who have never met.

That matters more than it sounds. An editor who was on set knows which take had the right energy, which moment to hold, and where the client hesitated on camera. That knowledge doesn’t transfer in a folder of clips.

What We Handle in Post

Color grading: not just correction, but the visual tone of the piece. Whether a corporate piece needs to feel clean and authoritative or a lifestyle campaign needs warmth and texture, color is how that gets communicated.

Motion graphics and titles: Dave Gau builds graphics in After Effects and animates in Cinema 4D and Maya. For clients like Thales, that meant custom animated brand systems across multiple deliverables. For a corporate piece, it might mean lower thirds and a title sequence that matches the brand guide.

Deliverables for every platform: broadcast, web, social cuts, vertical formats. One edit rarely fits all uses, and we build the cutdown strategy into the post schedule from the start.

Who We Edit For

South Florida agencies and brands regularly send us projects for post only. If you shot somewhere else and need a finishing house that can deliver broadcast-ready work, that’s a common engagement for us. We have handled post for clients including Broward Health, Tampa General Hospital, Kimco Realty, and Neste.

For production clients, post is included. For agency partners who need editing only, we work as a clean extension of your team.